Recently, one of the list correspondents commented:
“I’ve gotten the impression from reading about early Delta blues and country blues that the white A & R men who lugged “portable” recording devices into the South starting around 1926 and on into Robert Johnson’s time were looking for two things. 1) marketable vocal & instrumental skills, and, perhaps more important 2) original lyrics…It seems to me that these two skills reached a flowering in the person of Robert Johnson.
No other blues performers I’ve heard from the ’20s & ’30s come close to Johnson’s lyric breadth and depth.”
While Johnson’s work represents a kind of genius at once communal and individual, drawing as it did from the rich work of earlier performers and his contemporaries; I believe there is another reason that Johnson’s work really stands apart from the recordings of earlier performers: Johnson understood just how long a 78 r.p.m. side was. Continue Reading